<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Renaissance Recorder on SOHL.COM</title><link>https://www.sohl.com/tags/renaissance-recorder/</link><description>Recent content in Renaissance Recorder on SOHL.COM</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Fri, 02 Feb 1996 07:42:00 +0000</lastBuildDate><atom:link href="https://www.sohl.com/tags/renaissance-recorder/index.xml" rel="self" type="application/rss+xml"/><item><title>3d renderings of renaissance recorders</title><link>https://www.sohl.com/1996/02/02/renrecorders/</link><pubDate>Fri, 02 Feb 1996 07:42:00 +0000</pubDate><guid>https://www.sohl.com/1996/02/02/renrecorders/</guid><description>&lt;p&gt;&lt;img loading="lazy" class=" size-full wp-image-359 alignright" src="https://www.sohl.com/images/1996/02/consort.jpg" alt="consort" /&gt;Renaissance recorders were popular throughout Europe from about 1500 to 1650. They were among the most popular &amp;#8220;consort&amp;#8221; instruments, meaning that they were played in groups (or consorts). A typical consort for renaissance recorders would be made up of one alto, two tenors, and a bass instrument. Michael Praetorius, writing in 1618, expressed a preference for a consort made up of a tenor, two bass recorders, and a great bass. Praetorius also mentions an &amp;#8220;ideal&amp;#8221; consort made up of 21 instruments, made in 7 different sizes. He illustrated these instruments in his encyclopedic &lt;em&gt;Syntagma Musicum&lt;/em&gt;.&lt;/p&gt;</description></item></channel></rss>